Mask
가면 SBS (2015) 20 Episodes
Grade: A
Melodrama Deluxe / Crime
Korean Drama Review by Jill, USA
"If
you wear a mask,
you can never be happy" - Eun Ha Seo
Easily one of the
best Korean dramas of 2015, Mask delivers on
every entertainment front possible, with terrific
performances by all the actors, and a story written by
well respected scriptwriter Ho Chul Choi (who also wrote Secret).
It's filled with suspense, intrigue, superb
cliffhangers, revenge, psychological warfare between
characters, a great narrative flow, a sincere love
story, and an overall satisfying ending. I found it
impossible to concentrate on any other currently
running K-dramas while I was watching this one, and
just abandoned them all temporarily until I was
finished with this one first. I was that totally
engrossed in it.
I had always had
troubles finding the leading actress, Soo Ae Park,
attractive, what with her unusual face with its
prominent nose, and her deep husky voice, but here
in Mask she finally won me over completely.
I consider her akin to a Bette Davistype,
not a standard beauty but possessing incredibly raw,
yet at the same time sophisticated acting talent.
Although I had always recognized her as a great
actress (Love
Letter, Queen
Of Ambition, A
Thousand Days' Promise, the Korean films
The Flu and Once In A Summer), she
didn't personally appeal to me so I rarely sought
her work out. All that has changed with this
wonderful performance in Mask. It's the best
I've ever seen from her, and I can easily understand
why Korea keeps giving her top roles in its films
and dramas. She can play good girls and she can play
bitches and be equally captivating as both types.
You're in for a roller coaster ride with Mask!
I should also mention the production values are
first-rate. Obviously a lot of money was spent on
this amazing Korean drama.
Soo Ae plays a dual role of
good girl, and bad girl; both come face to face with their doppelganger in an
unexpected way
Soo Ae has
great chemistry with her leading man, Ju Ji Hoon (Trauma
Code, Jirisan,
The
Item), even though he is several years
younger than she is. Korea loves these noona
romances (older woman, younger man) and this
particular one goes from tempestuous to tender
very quickly, so you never lose your patience with
the growing relationship -- there are both intense
and amusing moments -- and you are cheering the
relationship on from beginning to end. Both
characters grow tremendously as people as they
fall in love and learn to trust one another. The
only catch is when his character first marries he
thinks she is an entirely different person! He
expects a contract marriage for business reasons,
but he experiences his first true love
relationship instead. That's because of the major
twist in the plot.
The
Story: Poor girl Ji Sook Byun (Soo Ae)
is working as a sales clerk at a department
store when she suddenly comes face to face
with her doppelganger, Eun Ha Seo (Soo Ae) as
the woman shops in the mall. They stare at
each other in amazement and an old saying is
recalled, "When doppelgangers see each other,
the first one to notice the other person will
die." In the key scene it is Eun Ha who first
notices Ji Sook. Will the prophecy come true?
Eun Ha is a rich woman who
is the daughter of famous Congressman Jong Hoon Seo
(Young Soo Park) and the fiance of chaebol
heir Min Woo Choi (Ju Jin Hoo). Min Woo is
the illegitimate son of the chairman of SJ
Group, Doo Hyun
Choi (veteran
actor Hwan Jeon Guk from Bad
Guy and Doctor
Stranger), and despite his
illegitimacy he is the company's presumptive
heir, to the bitter resentment of the
chairman's wife (Joon
Geum Park who played the infamously horrid
mother of Hyun Bin in Secret
Garden), and her daughter's
apprehension, Min Woo's half-sister Mi Yeon
Choi (In Young Yoo from My
Love From Another Star).
Despite
the wealth of his family, Min Woo has grown up
without any love or warmth, which results in
him displaying some mental problems, like
issues about being touched and a concern over
total cleanliness. His mother died early in a
tragic accident and his one consolation is
going to her grave on her memorial days and
playing the violin for her. His and Eun Ha's
future marriage is understood by both parties
to be a mutually beneficial business
arrangement and that it will be celibate, with
both parties allowed to pursue their own
romantic interests privately.
Min
Woo also doesn't know that the man Eun Ha is
having an affair with is his sister Mi
Yeon's lawyer husband, the manipulative and
ambitious evil sociopath Suk Hoon Min (an INCREDIBLE
PERFORMANCE by Jung Hoon Yeon from Sad
Love Story). Sociopaths are
incapable of true love, and Suk Hoon uses his
marriage to Mi Yeon as a tool to position
himself into gaining the company once the
patriarch dies. He does this partly because he
feels his own family was ruined by the
Chairman of SJ Group, so revenge is part of
his motive, not just gaining wealth and power
for himself. These manipulations play around
with his wife Mi Yeon's head as well. He will
say "I love you" to her without any expression
but that of a cold user, but she is so
desperate for his love she makes herself
believe he is in earnest. At one point she
even imagines a pregnancy.
For many episodes it was
Suk Hoon who fascinated me the most. "This
is the most perfect depiction of a sociopath
that I have ever seen," I would think to
myself, in awe. Suk Hoon has no conscience,
no remorse, no guilt, he's only out for
Numero Uno. The sociopath is incapable of
being cured, the condition is permanent. He
believes his own lies, which is why he
convinces so many people that he is
trustworthy and on their side. Why did so
many hundreds kill themselves at Jonestown
at the order of fanatic Jim Jones? Because
he was a sociopath and they believed him
implicitly.
Jung Hoon Yeon gives a
brilliant performance as a sociopath
Suk
Hoon will stop at nothing to prevent his
brother-in-law from being named successor,
including conspiring with a corrupt
psychiatrist into drugging Min Woo and
making him think he's going insane. False
memories are implanted in his afflicted
brain during hypnosis. However, Suk Hoon's
plans go awry when Eun Ha seems to appear
dead in the family swimming pool (full
details of this incident are revealed later
in the story), so Suk Hoon, aware of Eun
Ha's doppelganger, threatens and blackmails
Ji Sook into taking Eun Ha's place. He says
he will not kill her and he will pay off all
her family's large debts if she does so.
Reluctantly she agrees. It is assumed by her
family that Ji Sook is the one who died, and
her family - her dad Dae Sung Byun (veteran actor Hwan
Jung Dong), mother Ok Soon (Yang Mi Kyung),
and younger brother Ji Hyuk (Hoya) are fooled
by the body in the coffin that looks so much
like their daughter. They grieve over her loss
and the loan sharks who were pursuing them
back off, for the time being, until they start
to realize some hanky panky has been going on
and Ji Sook is not dead. Then they are used by
Suk Hoon to accomplish further nefarious
goals.
Ji Sook and her family
As
Min Woo begins to live in close quarters
with Ji Sook after their marriage, he is
puzzled and intrigued by his new wife and
how different she is from what he expected.
Eun Ha had been rather cold, but Ji Sook is
all warmth and caring. The couple begin to
fall in love in earnest, which of course
begins to complicate sociopath Suk Hoon's
plans for taking over the family
corporation. If Min Woo heals and stabilizes
that won't help Suk Hoon in his thirst for
revenge and power, trying to usurp Min Woo's
place, and so he plans on ways he can kill
both Min Woo and Ji Sook, and almost reaches
his goals on several occasions.
However,
there is always his wife Mi Yeon, who begins
to suspect his true motives and is torn
between her concern for her brother's life,
and her obsession with winning the true love
of her husband. For awhile Mi Yeon seems to
rally and think constructively, but
eventually obsession wins out over critical
thinking and morality. I found myself
actually feeling sorry for Mi Yeon, even
though she was clearly very troubled.
However I was also, in turn, angry at her,
repulsed by her, frustrated by her. This
actress gave a wonderful performance in a
very complicated role, and I found it ironic
that in both of her most famous K-dramas she
has to play women deeply in love with
sociopaths; inMy Love From Another
Star she is ultimately
murdered by the insane sociopath Jae Kyung,
whom she gets pregnant by out of wedlock, and
here in Mask she checks her own
intelligence at the door, refusing to really
accept how evil her sociopath husband truly
is, even when he aims to kill her brother.
Even when she knows he has actually murdered
someone she keeps quiet instead of turning him
over to the police. She herself is guilty of
committing murder by walking away from the
scene of a crime after contributing to it. Mi
Yeon needed a psychiatric hospital badly, poor
thing.
The
ending is a pleasing one. SPOILER: There
is one thing I would have changed if I were the
writer and that is to not try and humanize Suk
Hoon by trying to show him capable of guilt at
the very end of the drama. Sociopaths are incapable
of feeling this emotion because they are
incapable of self-reflection and remorse over
wrong-doings. You don't depict the perfect
portrayal of a sociopath for 99% of the show and
in the last 1% show him capable of doing
anything but running from police to save his own
hide. Expect to be called out on this
discrepancy by fans of the show. This is a
character who, when he killed a man who was onto
Ji Sook's real identity, said to him as he died,
"The world will be a better place once you're
gone." That is how sociopath Adolf Hitler
thought too: "The world will be a better place
without the Jews, gypsies, homosexuals, mentally
ill, etc." Would you be impressed with a writer
depicting Hitler's true evil character, one
which in the last few minutes changes gears and
shows him capable of any remorse whatsoever for
his mass murders? Would you believe that the
author of that show had done a good job in
depicting the true Hitler? Most (sane) people
would answer, "No!" Korean drama writers really
need to leave their villains as villains and not
try to bring them any sympathy or reform them.
It's much more believable that they would not
change by the end of the show after doing many
heinous things throughout the show. I would have
graded Mask a full A+ instead of an A if
the show had depicted a sociopath accurately
from beginning to end.
If
you love hardcore melodramas with lots of twists
and turns, and a beautifully depicted romance at
the core, then don't miss Mask. I loved
it. Superb acting!