Mask
가면 SBS (2015) 20 Episodes
Grade: A
Melodrama Deluxe / Crime
Korean Drama Review by Jill, USA
"If
you wear a mask,
you can never be happy" - Eun Ha Seo
Easily one of the best
Korean dramas of 2015, Mask delivers on every
entertainment front possible, with terrific
performances by all the actors, and a story written by
well respected scriptwriter
Ho Chul Choi (who also wrote Secret).
It's filled with suspense, intrigue, superb
cliffhangers, revenge, psychological warfare between
characters, a great narrative flow, a sincere love
story, and an overall satisfying ending. I found it
impossible to concentrate on any other currently
running K-dramas while I was watching this one, and
just abandoned them all temporarily until I was
finished with this one first. I was that totally
engrossed in it.
I had always had troubles finding
the leading actress, Soo Ae Park, attractive, what
with her unusual face with its prominent nose, and her
deep husky voice, but here in Mask she finally
won me over completely. I consider her akin to a Bette
Davistype, not a standard beauty but
possessing incredibly raw, yet at the same time
sophisticated acting talent. Although I had always
recognized her as a great actress (Love
Letter, Queen
Of Ambition, A
Thousand Days' Promise, the Korean films The
Flu and Once In A Summer), she didn't
personally appeal to me so I rarely sought her work
out. All that has changed with this wonderful
performance in Mask. It's the best I've ever
seen from her, and I can easily understand why Korea
keeps giving her top roles in its films and dramas.
She can play good girls and she can play bitches and
be equally captivating as both types. You're in for a
roller coaster ride with Mask! I should also
mention the production values are first-rate.
Obviously a lot of money was spent on this amazing
Korean drama.
Soo Ae plays a dual role of
good girl, and bad girl; both come face to face with their doppelganger in an
unexpected way
Soo Ae has great
chemistry with her leading man, Ju Ji Hoon (from Princess
Hours), even though he is several years
younger than she is. Korea loves these noona
romances (older woman, younger man) and this
particular one goes from tempestuous to tender
very quickly, so you never lose your patience with
the growing relationship -- there are both intense
and amusing moments -- and you are cheering the
relationship on from beginning to end. Both
characters grow tremendously as people as they
fall in love and learn to trust one another. The
only catch is when his character first marries he
thinks she is an entirely different person! He
expects a contract marriage for business reasons,
but he experiences his first true love
relationship instead. That's because of the major
twist in the plot.
The Story:
Poor girl Ji Sook Byun (Soo Ae) is working as
a sales clerk at a department store when she
suddenly comes face to face with her
doppelganger, Eun Ha Seo (Soo Ae) as the woman
shops in the mall. They stare at each other in
amazement and an old saying is recalled, "When
doppelgangers see each other, the first one to
notice the other person will die." In the key
scene it is Eun Ha who first notices Ji Sook.
Will the prophecy come true?
Despite the wealth
of his family, Min Woo has grown up without
any love or warmth, which results in him
displaying some mental problems, like issues
about being touched and a concern over total
cleanliness. His mother died early in a tragic
accident and his one consolation is going to
her grave on her memorial days and playing the
violin for her. His and Eun Ha's future
marriage is understood by both parties to be a
mutually beneficial business arrangement and
that it will be celibate, with both parties
allowed to pursue their own romantic interests
privately.
Min Woo also
doesn't know that the man Eun Ha is having an
affair with is his sister Mi Yeon's lawyer
husband, the manipulative and ambitious evil
sociopath Suk Hoon Min (an INCREDIBLE PERFORMANCE by Jung
Hoon Yeon from Sad
Love Story). Sociopaths are
incapable of true love, and Suk Hoon uses his
marriage to Mi Yeon as a tool to position
himself into gaining the company once the
patriarch dies. He does this partly because he
feels his own family was ruined by the
Chairman of SJ Group, so revenge is part of
his motive, not just gaining wealth and power
for himself. These manipulations play around
with his wife Mi Yeon's head as well. He will
say "I love you" to her without any expression
but that of a cold user, but she is so
desperate for his love she makes herself
believe he is in earnest. At one point she
even imagines a pregnancy.
For many episodes it was Suk
Hoon who fascinated me the most. "This is the
most perfect depiction of a sociopath that I
have ever seen," I would think to myself, in
awe. Suk Hoon has no conscience, no remorse,
no guilt, he's only out for Numero Uno. The
sociopath is incapable of being cured, the
condition is permanent. He believes his own
lies, which is why he convinces so many people
that he is trustworthy and on their side. Why
did so many hundreds kill themselves at
Jonestown at the order of fanatic Jim Jones?
Because he was a sociopath and they believed
him implicitly.
Jung Hoon Yeon gives a
brilliant performance as a sociopath
Suk Hoon will stop
at nothing to prevent his brother-in-law from
being named successor, including conspiring
with a corrupt psychiatrist into drugging Min
Woo and making him think he's going insane.
False memories are implanted in his afflicted
brain during hypnosis. However, Suk Hoon's
plans go awry when Eun Ha seems to appear dead
in the family swimming pool (full details of
this incident are revealed later in the
story), so Suk Hoon, aware of Eun Ha's
doppelganger, threatens and blackmails Ji Sook
into taking Eun Ha's place. He says he will
not kill her and he will pay off all her
family's large debts if she does so.
Reluctantly she agrees. It is assumed by her
family that Ji Sook is the one who died, and
her family - her dad Dae Sung Byun (veteran actor Hwan Jung Dong),
mother Ok Soon (Yang Mi Kyung), and younger
brother Ji Hyuk (Hoya) are fooled by the body
in the coffin that looks so much like their
daughter. They grieve over her loss and the
loan sharks who were pursuing them back off,
for the time being, until they start to
realize some hanky panky has been going on and
Ji Sook is not dead. Then they are used by Suk
Hoon to accomplish further nefarious goals.
Ji Sook and her family
As Min Woo begins
to live in close quarters with Ji Sook after
their marriage, he is puzzled and intrigued by
his new wife and how different she is from
what he expected. Eun Ha had been rather cold,
but Ji Sook is all warmth and caring. The
couple begin to fall in love in earnest, which
of course begins to complicate sociopath Suk
Hoon's plans for taking over the family
corporation. If Min Woo heals and stabilizes
that won't help Suk Hoon in his thirst for
revenge and power, trying to usurp Min Woo's
place, and so he plans on ways he can kill
both Min Woo and Ji Sook, and almost reaches
his goals on several occasions.
However, there
is always his wife Mi Yeon, who begins to
suspect his true motives and is torn between
her concern for her brother's life, and her
obsession with winning the true love of her
husband. For awhile Mi Yeon seems to rally and
think constructively, but eventually obsession
wins out over critical thinking and morality.
I found myself actually feeling sorry for Mi
Yeon, even though she was clearly very
troubled. However I was also, in turn, angry
at her, repulsed by her, frustrated by her.
This actress gave a wonderful performance in a
very complicated role, and I found it ironic
that in both of her most famous K-dramas she
has to play women deeply in love with
sociopaths; inMy
Love From Another Star
she is ultimately murdered by the insane
sociopath Jae Kyung, whom she gets pregnant by
out of wedlock, and here in Mask she
checks her own intelligence at the door,
refusing to really accept how evil her
sociopath husband truly is, even when he aims
to kill her brother. Even when she knows he
has actually murdered someone she keeps quiet
instead of turning him over to the police. She
herself is guilty of committing murder by
walking away from the scene of a crime after
contributing to it. Mi Yeon needed a
psychiatric hospital badly, poor thing.
The ending is a
pleasing one. SPOILER: There is one thing
I would have changed if I were the writer and that
is to not try and humanize Suk Hoon by trying to
show him capable of guilt at the very end of the
drama. Sociopaths are incapable of feeling
this emotion because they are incapable of
self-reflection and remorse over wrong-doings. You
don't depict the perfect portrayal of a sociopath
for 99% of the show and in the last 1% show him
capable of doing anything but running from police
to save his own hide. Expect to be called out on
this discrepancy by fans of the show. This is a
character who, when he killed a man who was onto
Ji Sook's real identity, said to him as he died,
"The world will be a better place once you're
gone." That is how sociopath Adolf Hitler thought
too: "The world will be a better place without the
Jews, gypsies, homosexuals, mentally ill, etc."
Would you be impressed with a writer depicting
Hitler's true evil character, one which in the
last few minutes changes gears and shows him
capable of any remorse whatsoever for his murders?
Would you believe that the author of that show had
done a good job in depicting the true Hitler? Most
(sane) people would answer, "No!" Korean drama
writers really need to leave their villains as
villains and not try to bring them any sympathy or
reform them. It's much more believable that they
would not change by the end of the show after
doing many heinous things throughout the show. I
would have graded Mask a full A+ instead
of an A if the show had depicted a sociopath
accurately from beginning to end.
If you love hardcore
melodramas with lots of twists and turns, and a
beautifully depicted romance at the core, then
don't miss Mask. I loved it. Superb
acting!